Valentin Lamar: Don’t Kill the DJ, by Roderick Thomas

A talented multihyphenate is accurately one way to describe Valentin. Lamar Stephens, known to his listeners and fans as Valentin Lamar, answers the phone at 9:30 pm. I can hear the sound of utensils tumbling around a plate, the chaotic rustling of bagged chips — he’s having dinner, and we begin our interview.

Valentin is a Brooklyn based DJ, Producer and music event guru. Originally from New Jersey, he’s played all over the tri-state area and even scored a film that recently screened at the White House. So, who is Valentin Lamar?

Roderick: Tell me about your musical background.

Valentin: So, my grandfather was a Jazz musician, my mother loved House, and Soul and my father was a rapper. My dad actually made a diss record to my mom [laughs]. She won the beef though, and they’re still together.

Roderick: Hilarious! How’d you get your name?

Valentin: I was briefly part of a DJ collective and they were trying to name me. My birthday happens to be on Valentine’s Day, so they named me Valentin — it just stuck.

Today’s artists can’t be monolithic. They have to do more than their main gig, to make a living, if they’re lucky enough to get the opportunities. Additionally, they have to be a brand.

Valentin began his producing career as a teen, in the mid-2000s, with Fruity Loops and years later fell into Dj’ing one NYE in NYC — he’s been booked ever since. Yet, he agrees that the art of Djing is dying, and there doesn’t seem to be any cure.

Valentin: If you’re an influencer, can stand behind a DJ booth and press play on a playlist, today you can have a career. The value of the art just isn’t there anymore. I’ve gone to certain venues where the DJ is playing a playlist off of YouTube.

Roderick: What are the challenges of being an independent NYC artist and what is making it to you?

Valentin: Thanks for asking that. There’s so much music and so many musicians out there. That’s the first challenge. As far as making it, I don’t have dreams of being a celebrity. I don’t want to lose the reason why I make music; I want to be inspired and inspire.

Roderick: What inspires you?

Valentin: Man, so much, I love Chad Hugos and Pharell of N.E.R.D, Ryan Leslie, Kanye West, and Radio Head to name a few. These days, I’m especially inspired by Brazillian music, Bossa Nova and House.


In Vol. 1 of his EP series Waves, a collaboration with producer Sergio Rivera, Valentin showcases that he’s an expert in creating a “vibe.” On Waves, his house influence shows up more subtly than some of his live shows, yet still has a pronounced role in his music.

Ethereal synths and echoey House pulses softly mixed in the background while Hip-hop kicks, 808’s and dreamy melodies play a balanced lead — a delicate balancing act that he’s very good at.

Roderick: Let’s talk about you scoring Shape Up, the documentary covered being gay in the black barbershop and screened at the White House! How did you get involved?

Valentin: No one knew I was a DJ or produced at the time. By chance, the director and Co-Producer of Shape Up, Derick Middleton, and Aaron Tredwell (Janet Mock’s Spouse) heard my Soundcloud and reached out. I later found out it was screening at the White House. It was amazing and it came out of nowhere!

Roderick: Fun question time! If you were trapped in the current administration’s White House for a day, what song would you have on repeat?

Valentin: [Laughs] For my sanity, I would put Marvin Gaye’s “Inner City Blues” on repeat!

Roderick: Adding that to my playlist now! Lamar, thank you so much for doing this, I’m excited to see where music takes you next.

Valentin: No, thank you, this was cool!

 

Join Valentin (@Valentinlamar) and other partygoers for his Independence day Cook In event July 3rd, 8:00 pm ET, at the Brooklyn venue Kinfolk. Be sure to keep an eye out for Vol. 2 of the Waves EP series with Sergio Rivera ( @s.e.r.___).

 Roderick Thomas is an NYC based writer and director. Email: rtroderick.thomas@gmail.com

 

 

Share:

Facebook
Twitter
LinkedIn

Comments are closed.

READ OUR FULL PRINT EDITION

Our Sister Publication

a word from our sponsors!

Latest Media Guide!

Where to find the Star-Revue

Instagram

How many have visited our site?

wordpress hit counter

Social Media

Most Popular

On Key

Related Posts

Film: “Union” documents SI union organizers vs. Amazon, by Dante A. Ciampaglia

Our tech-dominated society is generous with its glimpses of dystopia. But there’s something especially chilling about the captive audience meetings in the documentary Union, which screened at the New York Film Festival and is currently playing at IFC Center. Chronicling the fight of the Amazon Labor Union (ALU), led by Chris Smalls, to organize the Amazon fulfillment warehouse in Staten

An ode to the bar at the edge of the world, review by Oscar Fock

It smells like harbor, I thought as I walked out to the end of the pier to which the barge now known as the Waterfront Museum was docked. Unmistakable were they, even for someone like me — maybe particularly for someone like me, who’s always lived far enough from the ocean to never get used to its sensory impressions, but

Quinn on Books: In Search of Lost Time

Review of “Countée Cullen’s Harlem Renaissance,” by Kevin Brown Review by Michael Quinn   “Yet do I marvel at this curious thing: / To make a poet black, and bid him sing!” – Countée Cullen, “Yet Do I Marvel” Come Thanksgiving, thoughts naturally turn to family and the communities that shape us. Kevin Brown’s “Countée Cullen’s Harlem Renaissance” is a

MUSIC: Wiggly Air, by Kurt Gottschalk

Mothers of reinvention. “It’s never too late to be what you might have been,” according to writer George Eliot, who spoke from experience. Born in the UK in 1819, Mary Ann Evans found her audience using the masculine pen name in order to avoid the scrutiny of the patriarchal literati. Reinvention, of style if not self, is in the air