Red Hook Roxx, by Leo Liebeskind

 

Three great bands for $5 in a beautiful, old-school venue in Brooklyn is almost unheard-of these days. However, that’s just what Jeannie Fry and the good folks of Red Hook Roxx offer every Friday night at Rocky Sullivan’s.

Fry first set foot in Rocky’s about three years ago, when the bar was still at its old location, just a block from its current one, down the road from IKEA on the corner of Dwight and Beard Streets. Jeannie was there with her friend, Robert Maloney (Moe), when the two discovered that the back room of the bar had a small stage, some guitar amps, and a piano, but that neither the stage nor the equipment was often put to use. Eager to make something happen with the space, Jeannie (a member of a slew of Brooklyn bands including her own project, Jeannie Fry and the Lifers) and Moe (a lifelong promoter of live music) hatched a plan for a weekly Sunday afternoon series, aiming to “make being an artist easier for musicians” and for “bands around the world to come and get a decent audience even if they’re relatively unknown.”

While it was initially tough to get the operation off the ground on Sundays, Jeannie and Moe moved the event series to Friday nights, and were able to enlist the help of a few key friends to kickstart the series. Bob of the Brooklyn band The Shirts, who used to book bands at Lauterbach’s back in the’ 90s, proved to be a big help with booking, bringing bands in from around the country and even Canada to the venue. And David Gonzalez, music director and co-manager at Rocky’s, has been invaluable in encouraging the series as well as in assembling a drum kit and amps for the shows. The team has been running Red Hook Roxx at Rocky Sullivan’s for three years now, and though Jeannie sometimes worries that the remote location will dissuade attendees, people continue to flock to the bar every Friday night to get a dose of good music in a fun and humble setting.

Rocky’s inclusive, old-school vibes are a perfect place for the friendly and supportive DIY atmosphere that Red Hook Roxx provides its patrons. A mom-and-pop operation, Moe emcees and broadcasts the shows to Facebook Live while Jeannie and Bob book the bands and work the door. They charge $5 and give 100 percent of the money collected at the door to the bands in an effort to better support musicians. Bands play at 9, 10, and 11pm, and genres from rock to noise to country have all been featured at the weekly events with the first metal night even set to take place on July 12.

While lovers of live music are frequently oversaturated with options in New York City, $5 for three bands in a laidback and inviting environment is a deal that is hard to beat. And with 100 percent of the door going to artists and a full backline, it’s a pretty sweet gig for musicians too.

Rocky Sullivan’s is located at 46 Beard St. Brooklyn, NY 11231. Bands interested in performing can send a sample of their music to misspooz@gmail.com.

 

Leo Liebeskind is a singer, writer, and musician born and raised in New York City. He is the lead singer and principle songwriter for NYC-based rock & roll band Lovechild. You can often find the him gigging around Lower Manhattan, Brooklyn, and the rest of the East Coast. Leo is also currently studying creative writing at Columbia University.

 

Share:

Facebook
Twitter
LinkedIn

One Comment

  1. Thanks so much for writing about our Friday nights! We have SO MUCH FUN devery week. Why don’t Lovechild come and play!

READ OUR FULL PRINT EDITION

Our Sister Publication

a word from our sponsors!

Latest Media Guide!

Where to find the Star-Revue

Instagram

How many have visited our site?

wordpress hit counter

Social Media

Most Popular

On Key

Related Posts

Film: “Union” documents SI union organizers vs. Amazon, by Dante A. Ciampaglia

Our tech-dominated society is generous with its glimpses of dystopia. But there’s something especially chilling about the captive audience meetings in the documentary Union, which screened at the New York Film Festival and is currently playing at IFC Center. Chronicling the fight of the Amazon Labor Union (ALU), led by Chris Smalls, to organize the Amazon fulfillment warehouse in Staten

An ode to the bar at the edge of the world, review by Oscar Fock

It smells like harbor, I thought as I walked out to the end of the pier to which the barge now known as the Waterfront Museum was docked. Unmistakable were they, even for someone like me — maybe particularly for someone like me, who’s always lived far enough from the ocean to never get used to its sensory impressions, but

Quinn on Books: In Search of Lost Time

Review of “Countée Cullen’s Harlem Renaissance,” by Kevin Brown Review by Michael Quinn   “Yet do I marvel at this curious thing: / To make a poet black, and bid him sing!” – Countée Cullen, “Yet Do I Marvel” Come Thanksgiving, thoughts naturally turn to family and the communities that shape us. Kevin Brown’s “Countée Cullen’s Harlem Renaissance” is a

MUSIC: Wiggly Air, by Kurt Gottschalk

Mothers of reinvention. “It’s never too late to be what you might have been,” according to writer George Eliot, who spoke from experience. Born in the UK in 1819, Mary Ann Evans found her audience using the masculine pen name in order to avoid the scrutiny of the patriarchal literati. Reinvention, of style if not self, is in the air