Seventy-Five Years Later, How Wonderful is It’s a Wonderful Life? by Dante A. Ciampaglia
Wes Anderson’s The French Dispatch is fun but could use a good edit, by Dante A. Ciampaglia
Storm Lake: A Call to Arms for the Future of American Journalism, by Dante A. Ciampaglia
Hollywood’s Forever War on Terrorism, by Dante A. Ciampaglia
Tough and Urgent Documentary “Homeroom” Earns Top Marks, by Dante A. Ciampaglia
“The Amusement Park,” a Lost Film from George A. Romero, Rises from the Dead
The Long Overdue Return of Melvin Van Peeble’s Essential Debut Feature “The Story of a Three Day Pass” By Dante A. Ciampaglia
Chasing Childhood Opens a Necessary Conversation About the State of Growing Up by Dante A. Ciampaglia
New Documentary Koshien is a Beautiful Film About Baseball — and Japan, by Dante A. Ciampaglia
New Documentary “America’s Last Little Italy” Speaks to All Italian Americans, by Dante A. Ciampaglia
