Dance to Your Own “Beet”: Dancers Unlimited Receives Funding to Discuss Food Topics Through Dance, by Erin DeGregorio

In mid-March, Brooklyn Arts Council (BAC) announced that it would allocate over $1.32 million to 238 Brooklyn based-artists and cultural organizations through its 2022 Community Arts Grants and Creative Equations Fund. It marks the highest number of grantees and awardees, as well as the largest amount of funding, BAC has ever distributed. The council launched the fund last year to support community-engaged artists, arts organizations, cultural entrepreneurs, and researchers who have dedicated their creativity to solving social problems.

One of this year’s recipients is Dancers Unlimited (DU), a bi-coastal nonprofit based in Honolulu and New York City that creates authentic moveMEANT narratives for community advancement through creative collaborations, public programming, and social justice work. Approximately $5,000 from BAC’s fund will allow DU to engage with communities through its Community Engagement Program.

Company members, like so many others during the pandemic, lost their gigs and jobs overnight in mid-March 2020 for, essentially, a year (or more) before restrictions began to lax and were lifted. “It became financially and emotionally heavy where we were witnessing a lot of people losing family members, going through anxiety, and dealing with isolation. A lot of our dancers also never got their unemployment [benefits] until four months into the pandemic shutdown,” said Linda Kuo, DU’s co-founder and co-director. “But because we were also home more, we started cooking a lot more … and a conversation started from that craving for nourishment and healing during the pandemic.”

Virtual conversations centering around food scarcity and how food availability can be impacted by income, racism, systemic designs, and even natural disasters eventually became dubbed as “Edible Tales” in December 2020. It has since evolved into a food movement that examines and explores cultural heritage, social justice, and sustainability as well as heals people’s relationships with how, what, and why they eat. Edible Tales will premiere in November 2022 on Oahu and in January 2023 in New York City.

“Because Edible Tales is community driven, the conversation and performance pieces are localized. So, when people come, they understand [the narrative] immediately—like ‘Yes, this has been impacting me too and has been on my mind.’ Then a bigger conversation takes shape with [us asking] how can we come together, using dance as a platform, to come up with creative solutions?” Kuo said. “I love that we can combine physical movement with food stories, which allows us to nourish ourselves at the same time while we take on very challenging topics.”

“It’s very much a collaborative experience where we’re gathering food stories from different people in the community, of different cultural backgrounds,” added Candice Taylor, DU’s new co-artistic director who began dancing with the company three years ago. “We talk about the way food makes us feel, the memories that are attached to food, and how connected it is with culture and our experiences.”

For example, Kuo, who grew up in Hawaii, began talking about taro—a staple of the Native Hawaiian diet and at the core of Hawaiian culture—with people from Africa, Central America, South America, Asia, and Polynesia. “I never realized a simple root vegetable like taro—which at some point in human history traveled all around the world—can be such an engaging and exciting topic for everybody,” she said.

With the funds, Kuo intends to transform DU’s discussions into multimedia dance installations that can be shared with the larger community. “Something we realized during the pandemic is that ‘community’ is bigger than just the dance community for us. So, the $5,000 can really help us invite the local community to come and watch what we have created based on our discussions with them,” Kuo said. She explained how she envisions a showcase being held in a gallery with a dance company or community member taking groups of people around the gallery to watch different dance pieces. “We are also talking to chefs right now to, hopefully, do cooking installations so that people can walk around, watch different dances, eat, watch documentary-style interviews with local community members and DU dancers, and talk to one other,” Kuo added.

Both Kuo and Taylor are excited to reach more people through their work this summer. “I feel like we’ve been trying to gather all the good energy we can at Dancers Unlimited these past couple of years, so that we can come out of this pandemic stronger and heal our community,” Taylor said. “I think this funding will definitely allow us to create and share awesome work that speaks to the people and their concerns.”

If you can’t wait to see what DU does this summer, the company will be holding Spring CommUNITY Week, May 2 to 6. The week-long, free festival features a hula & lei-making workshop, a dance battle, commUnity performances, and a sustainable fashion show. Because capacity is limited, register to attend at eventbrite.com/e/spring-community-week-vip-rsvp-tickets-304845510127.

Share:

Facebook
Twitter
LinkedIn

Comments are closed.

On Key

Related Posts

The People of Red Hook asks the existential question of the day by Lisa Gitlin

By now, the community meeting on the future of the Brooklyn Marine Terminal, the 122-acre waterfront property running from Atlantic Avenue to Wolcott Street has taken place. There is more about this meeting and the NYC Economic Development Corporation (EDC) process inside these pages. As my publisher has pointed out in his column last month, this decision made by the

Working to protect neighbors from ICE, by Laryn Kuchta

District 38 Council Member Alexa Avilés knows how hard the Trump administration’s immigration policy is hitting Red Hook. Avilés, who is Chair of the Immigration Committee, says that community providers have noted drops in undocumented people accessing services and a lot of talk about moving away. People do not feel safe, according to Avilés. “There’s unfortunately an enormous amount of vitriol

Year of the Snake celebrated at Red Hook school by Nathan Weiser

PS 676/Harbor Middle School had another family fun night on January 28 after school in their cafeteria. The theme was Lunar New Year. Lunar New Year began on January 29, which marked the arrival of the year of the snake. The Lion Dance is performed during Lunar New Year as well as iconic firecracker ceremony. There was Chinese food and

Column: Since the community doesn’t seem to have much sway on the future of the Brooklyn Marine Terminal, the courts beckon, by George Fiala

Money and politics often get in the way of what economists call “The Public Good.” Here is Wikipedia’s  definition: “In economics, a public good (also referred to as a social good or collective good) is a good that is both non-excludable and non-rivalrous. Use by one person neither prevents access by other people, nor does it reduce availability to others.