Pay No Attention to the Girl, a devised play inspired by The Thousand and One Nights, is the first installment in Target Margin’s multi-year exploration of that text, as well as the company’s debut at their new home, the Doxsee Theater in Sunset Park, Brooklyn. The Doxsee is cavernous and gorgeous; and it’s used to great effect here by director David Herskowitz — along with scenic […]
Theater
Secret Polish love letters, performed at Jalopy, review by Sofia Baluyut
The unique nature of “The Story of Two Poets” was clear even before Jalopy Theatre’s lights went down. The musical is entirely in Polish with English supertitles. Polish and English versions of the playbill were passed out, and Polish sweets called drożdżówki z serem (sweet cheese pastries) were set out on a table for audience members. The show is an […]
In Theatre of the Oppressed, youth become protagonists of their own dramas, by Sarah Matusek
Alexys and Vincent, two friends in the eleventh grade, pass each other in the hallway. Vincent stops in his tracks as Alexys approaches. He scrunches his face in a look of disgust. “Why are you wearing that?” he asks, sizing her up. “You don’t have the body for that!” Alexys looks down, embarrassed. Awkward silence… “That was good!” Seventh grader […]
Brooklyn Stage Company performs Beckett’s Endgame at Sunny’s, by CarloVogel
Bobby Cole’s long established (1992) Brooklyn Stage Company (BSC) is performing Samuel Beckett’s Endgame at Sunny’s Bar through the end of the month. Cole has numerous productions under his belt and will be tackling Endgame with aplomb no doubt; Tom Keener directs. BSC’s (and their Manhattan sister company Mortals Theater) credo is to “seek to breathe new life into classic plays […]
Heights Player’s The Graduate falls flat of expectations, by Kimberly Gail Price
In 1967, The Graduate earned Mike Nichols an Academy Award for Best Director of the year. The film was nominated in six other categories. It was the highest grossing film of all time in the 1960s and has since become a beloved classic film still capable of speaking to the masses. Benjamin Braddock has just received his college degree. The […]
A Stand Up Performance, by Kimberly Gail Price
Anybody up for a good penis joke? In a fast paced play, Marc Spitz’s Up For Anything creates up the scenario in the opening moments to set up two hours of back to back zingers aimed at Walter Dabney, a poet with an unrelenting erection. The show opens with Walter (Ben Schneider) under a blanket with his mistress Annie (Jen […]
Theater Review: Heights Players production shines, by Kimberly Gail Price
“A Delicious Soufflé of Satire” NY Times “All of us, the creative people, tearing about trying to feed a nations insatiable appetite for entertainment. Making truckloads of money we never see so we can discover something new and vivid to present to poor fun-starved modern civilization. The new becoming old almost before we find the newer new… as bees in […]
Director Julie Taymor honored at Brooklyn Museum, by Kimberly Gail Price
Award winning theater, opera and film director, Julie Taymor was honored on June 13 at the 2013 Elizabeth A. Sackler Center for Feminist First awards at the Brooklyn Museum. Museum Trustee, Elizabeth A. Sackler hosted the event. The evening included a conversation between Taymor and feminist icon Gloria Steinem and the presentation of the award, followed by a cocktail reception. […]
Theatre: Falconworks’ Production of Enemy of the People, by Brian Clancy
The New York Port Authority Grain Terminal in the Gowanus Bay Terminal has always been an interesting landmark for me since I first noticed it towering over the ball fields in Red Hook almost a year ago. I could always easily pinpoint Red Hook from the Brooklyn Queens Expressway or the elevated section of the F train by looking to […]