Mothers of reinvention. “It’s never too late to be what you might have been,” according to writer George Eliot, who spoke from experience. Born in the UK in 1819, Mary Ann Evans found her audience using the masculine pen name in order to avoid the scrutiny of the patriarchal literati. Reinvention, of style if not self, is in the air […]
Music
Kaizers Orchestra Returns to Conquer the US
Kaizers Return Kaizers Orchestra has always marched to the beat of their own drum. Now, after their first U.S. performance in years, the legendary Norwegian rock band made it clear they haven’t missed a step. Fresh off a triumphant show at Sony Hall, where their theatrical mix of rock, folk, and energy electrified the crowd, I had the chance to […]
Afrobeats vs. Amapiano Takeover: For the Culture and Social Justice
Afrobeats vs. Amapiano Takeover at Barclays Center On Sunday, August 4, the plaza at Barclays Center echoed with the sounds of Afrobeats and Amapiano as the two genres took center stage at the third annual Africa Everything: Afrobeats vs. Amapiano Takeover. From 12:00 to 6:00 PM, music lovers, undeterred by the cloudy weather, gathered to experience the best of these […]
Troy Ramey’s Soulful Journey to “Pick Up Truck”
On June 28, 2024, the acclaimed singer-songwriter Troy Ramey released his latest single, “Pick Up Truck.” Known for his soul-stirring voice and evocative lyrics, Ramey’s new song, which began as a light-hearted jest, has evolved into a heartfelt piece that captures the essence of summer drives and the joy of music. Backstory The story of “Pick Up Truck” began […]
Music: Wiggly Air, by Kurt Gottschalk
Another music in a different chamber. The term “chamber pop” has been tossed about at least since the 1960s, when such prophetic composers as Burt Bacharach and Brian Wilson—as well as producers Shadow Morton, Billy Sherrill and Phil Spector, although they tend to be left out of the story—started crafting three-minute, orchestral gems in the pop tradition. Chamber music has […]
Jazz: Enemies at the Gates, by George Grella
Gatekeeping gets a bad rap—and it should! Guarding information and experiences to keep them away from people is generally bad. At the very least, it’s a petty and infantile exercising of very limited and temporary power, trying to create an artificial sense of exclusivity and prestige in a pluralistic, democratic culture—snobbery in other words. At worst, you get self-perpetuating, smug […]
Jazz: Spaces And Places, by George Grella
Music making is a social activity. Anyone with a laptop and a bedroom can make an album, but there’s limits to that, not the least how far one’s imagination can go without the stimulus of other personalities. When musicians get together to play it’s a social activity, they make something together whether or not they’re in front of an audience. […]
Music: Wiggly Air, by Kurt Gottschalk
A step ahead at looking back. In April, I wrote about Joe Jackson’s 1981 album Jumpin’ Jive in a review of Taj Mahal’s recent album of early jazz songs. Since then, Rickie Lee Jones has issued a respectable collection of crooner tunes, and countless rockers-of-certain-ages have done so before, generally with far lesser results than Jackson, Jones and Mahal (special […]
A-Zal’s Musical Journey: From the UK to New York & Marvel Movies
A-Zal, the rising musical artist who navigated NYC in pursuit of his authentic sound and success, now stands in the spotlight. Today, we dive into A-Zal’s journey from a dreamer to a dazzling star, right here in the heart of the Big Apple. Roderick Thomas: Glad to finally speak to you A-Zal. A-Zal: Thank you, R.T. It’s a pleasure […]
Wiggly Air – On Music by Kurt Gottschalk
A band everyone should like. There was a time, back in the distant 1980s and ’90s, when recording and distribution outpaced the spread of information. The post-punk DIY movement encouraged artists and fans to seize the means of production and make their own records and zines but there was no guarantee they’d end up in the same places. As a result, […]