Celebrating Community
Brooklyn’s Regina Opera, known in recent years for some heavy lifting in productions such as Verdi’s Il Trovatore, and dramatic turns such as Puccini’s Il Tabarro, has ventured into the light side with their production of Sigmund Romberg’s The Student Prince. Romberg was a prolific tunesmith in the early days of Broadway, but he is best known for the three […]
Cruel to be Khanate. The biggest news of last month, perhaps tied with Tina Turner and the debt ceiling, was the first new album by “drone doom supergroup” (so says Wikipedia) Khanate in 14 years. To Be Cruel popped up without prophecy on streaming sites on May 19, with a CD and the usual assortment of buy-me-please limited-edition vinyl designs […]
“Community” is a word that arts organizations use a lot these days, and I in no way want to undercut the sincerity behind that when I point out that the word’s popularity is fundamentally driven by the kind of grant-writing-thinking that pretty much every arts organization has to adopt in contemporary American life in order to even hope for some […]
Going to the movies right now feels like huffing exhaust. The fumes of tired franchises, hyperfrenetic filmmaking, and cheap sludgy visual effects choke multiplexes and streaming services, strangling creativity and our own good judgment. But there are still rare clearings in the miasma, when a film can be a cleansing blast of the cleanest oxygen that reminds us why we […]
Review of Mel Brooks: Disobedient Jew, by Jeremy Dauber Review by Michael Quinn Born in Brooklyn in 1926, Melvin Kaminsky was the youngest of four boys whom the fatherless family doted on. “Until I was six, my feet didn’t touch the ground,” he remembers. He was quick with a smile, a natural mimic, and good at making people laugh. He […]
There were some among the first generation of punk who decried the Sex Pistols for being so bourgeoisie as to put out an LP. Singles were punk: short, cheap and disposable. Albums were the domain of bloated acts like Van der Graaf, Stills & Palmer or whatever. A Pistols long-player would have happened sooner or later, of course. It’s the […]
Every day, there’s a pile of hype in my inbox; this album and/or that event is either groundbreaking, incredible, the perfect response to a cultural moment, one-of-a-kind, (the unfortunate) “genre-fluid,” a best-of-the-year, or some other superlative. That goes with the territory, I’m a music critic and publicity material is trying to get my attention and get me to listen. As […]
An Interview with Bookseller and Novelist Emma Straub, by Michael Quinn Once a bookseller at the legendary BookCourt, today Emma Straub has a bookstore of her own — with two locations. Six years ago, she and her husband Michael Fusco-Straub opened Books Are Magic on Smith Street in Cobble Hill. Last fall, they opened a second store on Montague Street […]
The new books of Liturgy. Haela Ravenna Hunt-Hendrix has long fronted a powerful band. The first three Liturgy releases were impressive, intelligent, calculated and well-executed albums fairly entrenched in black metal. The group (of which, at this point, Hunt-Hendrix is the only constant) has since released a second three discs, and it’s with these—2019’s H.A.Q.Q., 2020’s Origin of the Alimonies […]
Bad things are just as valuable as good things, at least for a critic. Bad work (art, music, writing) is often a lesson in missed opportunities, the mistakes and missteps that, if corrected, would turn the bad thing into a good thing. It was a bad book I read recently that led to this column, a book about improvisation and […]