Author: Kurt Gottschalk

Music

Reynols Is the Most Important Band in the History of Rock, by Kurt Gottschalk

The Argentinian band Reynols wasn’t widely known even before they disappeared for some 17 years. They just don’t do the kind of music that gets a band known. That might change with the release of the new Gona Rubian Ranesa, arguably the most musical album they’ve put out, but really it won’t. Which is a shame, because Reynols represent everything […]

Music

Negativland’s Brave New Negativworld, by Kurt Gottschalk

Negativland has been successfully prophesying doom for 40 years now, their secret all along being using society’s words against itself. Pioneers in sampling and culture jamming, the outfit is perhaps most notorious for a petty, prolonged and hilarious copyright battle with U2, but they’ve had a longer, more varied and for more subversive career than simply lambasting Ireland’s most famously […]

Music

USA Nails Goes Full Stop, by Kurt Gottschalk

The punk ethos was designed to implode, and implode it did (or should have, anyway). Punk was a fiery rejection of the status quo. Once it became status quo, it was time to go. But like a dinner guest you don’t know is dead, punk refused to leave. The problem came with confusing the idea that talent and technique weren’t […]

Music

New Themes for Ceramic Dog Days, by Kurt Gottschalk

Marc Ribot’s punkjam trio Ceramic Dog had been playing low key gigs around town for a long time before really finding their voice on their second album, 2013’s Your Turn. That’s when they started to get mad. The sarcastic AF song was about musicians gleefully accepting social media presence over money for their work “Masters of the Internet” was both […]

Music

Magik and Isolation in 2020, by Kurt Gottschalk

Back in July, Magik Markers quietly released a four-song digital EP, the first new music they’ve put out in a half dozen years. It was subdued, a little psychedelic, with a title suggesting they’ve been out of our ugly loop for a while. (Magik Markers has always been good at naming). In October, the band followed Isolation From Exterior Time: […]

Music

Deerhoof’s Mixtape of the Mind, by Kurt Gottschalk

Deerhoof’s set at last year’s Time:Spans festival was a surprise in even in the midst of 11 days of unpredictableness. The festival has all the earmarks of experimentalism; it’s organized by the The Earle Brown Music Foundation Charitable Trust, named for a contemporary of John Cage and Morton Feldman, and held primarily at the Dimenna Center for Classical Music. Deerhoof […]

Music

Newly discovered vintage Stooges set is exciting, imperfect and sets the record straight, by Kurt Gottschalk

The Stooges set at the 1970 Goose Lake Festiival has gone down in their rarified corner of rock history as a turning point for the band, maybe even the beginning of the end. According to legend, bassist Dave Alexander—out of his mind on whatever he was out of his mind on—stood on the stage without playing and was promptly fired […]

Books, Music

The Beating Heart in The Living Dead, by Kurt Gottschalk

From the gruesome to the humane, George Romero’s posthumous novel goes places his movies couldn’t The coronoavirus pandemic of 2020 would have been a goldmine for George Romero, a milder mirror of the world he explored over the course of nine magnificent and gruesome movies. People with COVID-19 are far from animated corpses, of course, but the unwillingness of so […]

Music

Lonnie Holley’s Freedom Songs

It’s easy to think of Lonnie Holley as a bluesman. He fits the type: rural, Southern, self-educated, quick with folksy wisdom and deep, dark truth. But Holley is a philosopher poet, more like Son House when he put his guitar down, more like Van Morrison casting ruminations over flowing, nebulous music. Van Morrison had his blues, too, of course. The […]