You can’t spell “brand” without “band,” and in music the two words are implicitly combined; bands are brands, the name conjuring not just songs and albums, but a specific style and sound. Whether mutable like The Beatles or static, like The Rolling Stone, name the band and their sound immediately springs to life in your head. This applies to jazz, […]
Author: George Grella
The Space is the Place, by George Grella
Jazz is political. I’m not here to shock or confound anyone, but in contemporary American culture, there’s a pervasive need to point out the obvious when so many people put effort into blocking the evidence of their eyes and ears from reaching their brain. Jazz is political, all music is political, all creative, cultural endeavors are political. They can’t help […]
If It’s Not Free, Let It Be Good, by George Grella
Near the start of this current stretch of my life, when I somehow—by circumstance, accident, and desperation—became a freelance writer, I wrote an article for a classical music publication (that still exists but is no longer a place for writing) about how there’s no such thing as difficult music. Except for typing out the words coherently, it was easy to […]
The Year’s Best Recorded Jazz, by George Grella
Just in time for your shopping lists, and just before you might, I hope, have some time off and can spend some of your evenings these dark days listening to fine music, here are my choices for the best jazz albums of 2022. I make this list because I think lists are useful, and year-end ones help focus the mind […]
On Jazz: Safety And Freedom, by George Grella
Of course conservatives hate the movies and the entertainment industry that produces them: movies are, bottom line, substantial investments of capital that seek to return profits. Thy are made to sell to viewers, and so movie makers try and give the public what the producers think it wants. Thats why there’s a massive library of MCU and Star Wars movies […]
Jazz: Up From the Under-ground, by George Grella
The jazz world is vastly different than it was 100 years ago.That probably seems obvious, in that the world may seem different than it was 100 years ago, though that is mostly superficial and centered around technology. What I mean is the there are key aspects of the society that gave birth to jazz that have changed and in many […]
When Jazz Is Not Enough By George Grella
No plan survives contact with reality. At the start of this summer, energized by recent listening, I started to dig into my library of books on free jazz, titles like Val Wilmer’s As Serious As Your LIfe, Freedom Is, Freedom Ain’t by Scott Saul, Michael Heller’s Loft Jazz, and Ekkehard Jost’s im-portant study, Free Jazz. I was jazzed. But then […]
Jazz: What’s New? By George Grella
There is nothing new under the sun. Not to mention, you’ve heard that line before. How often? Well, Ecclesiastes was written about 3,000 years ago, so imagine the level of boredom it took to have someone mention it in the Old Testament. And they didn’t even have records back then. As surprising as it has been to admit this to […]
Jazz by Grella:Purgatory, by George Grella
In the winter of 2020, trumpeter Wallace Roney appeared one evening on WKCR. A few weeks later, he was dead, killed, by the coronavirus. As Sharif Abdus-Salaam, who had hosted Roney, said with some shock when reporting this, “COVID does not play around.” No it does not. Nor, now with more than a million Americans needlessly dead, has it stopped […]
On Jazz: Henry Threadgill’s Modern World, by George Grella
Henry Threadgill, photo by John Rogers Jazz is not just modern, but modernist; not just part of the last 100 years of cultural history, but a music that took old and existing language and made it new. Bebop was an explicit modernist, even avant-garde, movement that took existing popular material, like “How High The Moon,” and gave it a new […]