Celebrating Community
’Tis the season of the list, and for your local man in jazz that means putting together what were, for me, the best new and archival recordings I heard this year. And I mean “heard” seriously; I listened all the way through something like 250 albums released in 2023, and at least partially through an additional 400-plus (those are records […]
In art music (meaning music not designed for mass commercial success), there used to be a general consensus about forms and styles. That’s obvious when you look at classical music, but also things like folk music (in the English speaking world) and the blues; things were generally done within certain guidelines and outliers were less revolutionaries than eccentrics and avant-gardists, […]
What does it mean to make an album in 2023? They’re still being made, Billboard magazine still tracks their sales, but just what is that thing itself, the album, and why are they made as albums? The subject on this page each month is jazz, but these thoughts apply to all kinds of music, and are especially relevant to popular […]
Pianist Matthew Shipp has had such a consistent, sustained career, nearly 40 years as one of the foremost free jazz players, that it’s easy to lose sight of what he’s done as a musician. His built a grand discographical forest through his own albums and those on which he’s part of another ensemble—coming up with the important David S. Ware […]
Archival recordings are tricky to think about critically, in no small part because the contents of any artists archives are always interesting and desirable to fans, and that fan enthusiasm makes criticism irrelevant for most of the people who would even consider buying them. And reader, I am one of those fans—as one example, Miles Davis’ album In a Silent […]
Sometimes, things just come together. I’m writing this on July 4th, at the end of a long holiday weekend which saw the conclusion of the HBO series The Idol and, this day, the first of two birthday broadcasts on WKCR—89.9 on your FM dial, or wkcr.org if you insist—for Louis Armstrong. Yes, there are two birthday broadcasts for Louis, who […]
“Community” is a word that arts organizations use a lot these days, and I in no way want to undercut the sincerity behind that when I point out that the word’s popularity is fundamentally driven by the kind of grant-writing-thinking that pretty much every arts organization has to adopt in contemporary American life in order to even hope for some […]
Every day, there’s a pile of hype in my inbox; this album and/or that event is either groundbreaking, incredible, the perfect response to a cultural moment, one-of-a-kind, (the unfortunate) “genre-fluid,” a best-of-the-year, or some other superlative. That goes with the territory, I’m a music critic and publicity material is trying to get my attention and get me to listen. As […]
Bad things are just as valuable as good things, at least for a critic. Bad work (art, music, writing) is often a lesson in missed opportunities, the mistakes and missteps that, if corrected, would turn the bad thing into a good thing. It was a bad book I read recently that led to this column, a book about improvisation and […]
You can’t spell “brand” without “band,” and in music the two words are implicitly combined; bands are brands, the name conjuring not just songs and albums, but a specific style and sound. Whether mutable like The Beatles or static, like The Rolling Stone, name the band and their sound immediately springs to life in your head. This applies to jazz, […]