Artists, when they reach a certain age, can feel the tug of legacy and revisit and tinker with their work. That’s as true for painters and sculptors as it is for filmmakers. George Lucas fiddling with his original Star Wars trilogy is the most notorious example, but Lucas’ old friend and patron Francis Ford Coppola has been in a contemplative […]
Author: Dante Ciampaglia
Gowanus Lost and Found: New Exhibit Documents a Changing Neighborhood by Dante A. Ciampaglia
Progress sounds like a lot of things. The chugging of bulldozers excavating the earth. A ladle scraping new brownstone onto a rebuilt stoop. Construction guys a hundred feet up shouting commands to guide a steel girder into place. A crew of laborers laughing as they haul old dirt and timber from a gut renovation. In Gowanus, it’s EPA boats puttering […]
The New York Film Festival Drives Into Brooklyn
Tired of Netflix and chill? Miss going to the movies? Maybe you just need a change of scenery? Well, good news. After more than 50 years, the New York Film Festival is finally coming to the boroughs. But you’ll need to gas up your wheels, book your Zipcar, or lock down a rental to attend. The 58th NYFF runs September […]
Feels Good Man Sings the Ballad of Pepe to Save American Democracy by Dante A. Ciampaglia
In Donald Trump’s America, there’s no wall between reality and screenland. When he lazily entered the 2016 presidential race on a golden Trump Tower escalator, it resembled a dress rehearsal for an SNL parody of The Apprentice. Scenes of Black Lives Matter protestors gassed by riot police and refugee children at the southern border packed into chain-link cages could have […]
Dateline-Saigon remembers the journalists who revealed a dirty war by Dante A. Ciampaglia
Nearly 60 years ago, Associated Press reporter Malcolm Browne was sent to Saigon to report on the conflict between the Communist North and American-backed South. He was soon joined in the AP bureau by Peter Arnett and photojournalist Horst Faas, and they found themselves competing with upstart UPI reporter Neil Sheehan and brash New York Times journalist David Halberstam on […]
Big names, small screens: MoMA series helps make sense of TV movies
Since the advent of VHS, discerning moviegoers have known that “made for television” and “direct to video” were kisses of death – signals the movie they were about to see, God help them, was the lowliest junk. Nascent cable channels and the dustiest recesses of Blockbuster were where the schlockiest horror, hardest soft-core, and cheapest action flicks were dumped by […]