Author Nelson Algren wrote in 1951 about Chicago that, “once you’ve come to this particular patch, you’ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.” That sentiment could also apply to the Brighton Beach neighborhood filmmakers Carol Stein and Susan Wittenberg captured some 30 years […]
Author: Dante Ciampaglia
The Year I Fell Back In Love with Cinema, in 10 Moviegoing Experiences, by Dante A. Ciampaglia
It was in September, sitting in the big auditorium at BAM, packed with people, watching Andrei Tarkovsky’s 1972 sci-fi masterpiece Solaris. Near the beginning of the film is a shot of rain dropping into a pond, the water rippling out into green shards of wetland flora — nothing special, necessarily, but the kind of pastoral lyricism Tarkovsky routinely leaned on. […]
Dispatch from the New York Film Festival: Of Documentaries and the Civic Need for Movie Theaters, by Dante A. Ciampaglia
At this year’s New York Film Festival, the marquee documentary event was the American premiere of 93-year-old Frederick Wiseman’s latest opus, Menus-Plaisirs Les Troisgros. La Maison Troisgro, a three-star Michelin restaurant in central France, is at the center of the film, which radiates outward to explore the supply chain of farms that provide much of the place’s food and the […]
Dispatch from the New York Film Festival: Hollywood Headliners, Intimate Indies, and Hunting for Experiences, by Dante A. Ciampaglia
The New York Film Festival hits at a strange moment in the calendar. By the time the 61st edition opened on September 29, Cannes, Venice, and Toronto had all hosted their festivals (in May, August, and September, respectively). Many of the year’s banner titles — Sofia Coppola’s Priscilla, Michael Mann’s Ferrari, Yorgos Lanthimos’ Poor Things, Bradley Cooper’s Maestro, Hayao Miyazaki’s […]
Hip-Hop Hollywood Comes to Queens — and Streaming, by Dante A. Ciampaglia
New York is marking the 50th anniversary of the birth of hip-hop at a Bronx block party in 1973 with a packed program of IRL and virtual events, series, and celebrations across the city. (There’s even a special edition New York Public Library library card.) Most of these are centered, obviously, on the music. But at the Museum of the […]
The Hollywood Strikes are About the Future: Of Culture, of Work, of America, by Dante A. Ciampaglia
Studs Terkel’s 1974 book Working: People Talk About What They Do All Day and How They Feel About What They Do is a lot of things: a landmark oral history, a monument to conversation, a snapshot of labor across classes and collars at a particular unsettled moment in American history. It’s also a testament to how little things change. Working […]
The Future is Now! The Singularity is Nigh! And the Singular Her is Now Our Era’s Cinematic Urtext., by Dante A. Ciampaglia
All the hand wringing and doomsaying around artificial intelligence — in tools like ChatGPT, Bard, DALL-E, and Midjourney — has made for some lazy movie comparisons. AI is like Skynet in the Terminator movies! These chatbots are a few dataset away from becoming 2001’s HAL 9000! We’re all destined to be mindless slug consumers controlled by corporate AI run amok, […]
Past Lives Review: Celine Song’s Exquisite Debut Feature is What Grown Ups Have Been Missing at the Multiplex, by Dante A. Ciampaglia
Going to the movies right now feels like huffing exhaust. The fumes of tired franchises, hyperfrenetic filmmaking, and cheap sludgy visual effects choke multiplexes and streaming services, strangling creativity and our own good judgment. But there are still rare clearings in the miasma, when a film can be a cleansing blast of the cleanest oxygen that reminds us why we […]
Celebrating the Warner Bros. Centennial with 100 Warner Films, by Dante A. Ciampaglia
The golden age of Hollywood — lasting from the mid-1920s until the mid-1960s — was dominated by five studios: RKO, MGM, Fox, Paramount, and Warner Bros. RKO went belly up in 1957; now a faint whimper of its former roaring lion, MGM is part of the Amazon empire; and Fox has been absorbed into the Disney collective (for its Marvel and […]
“Rodeo” Review: Portrait of an Asphalt Pirate on Fire, by Dante A. Ciampaglia
At the start of Lola Quivoron’s debut feature, Rodeo, a shaky camera follows Julia (Julie Ledru, exceptional in her first film) through a chaotic scene in the cold, echoing halls of a French housing project. Men shout at her, harass her, follow her, try to stop her — all the way outside, where she climbs into a truck and implores […]