A Brooklyn teen’s Appalachia

At 14 years of age, Nora Brown is a talented banjo player who sings ballads and traditional music with an interest in eastern Kentucky and Tennessee styles. She uses the clawhammer method of plucking and strumming with her thumb and fingers, resulting in a deep, muddy tone that lends an air of dark mystery and timeless depth to her playing. (In contrast, the Scruggs style utilizes finger picks to produce a brighter, sharper tone more common in popular bluegrass.)

Brown has won prizes for her playing, been awarded scholarships to study, has taught beginning and advanced banjo, and appeared at numerous folk festivals throughout the United States. She effectively illustrates the differences between the fretted banjo and a fretless version to show the instrument’s African origins in a performance viewable on TED Talks (https://www.ted.com/speakers/nora_brown).

Red Hook’s Jalopy Records has released her first studio album Cinnamon Tree, produced by legendary musician Alice Gerrard and recorded at Studio 808a, an old farmhouse in Floyd, Virginia. The songs, stories and instrumentals on this record draw the listener in. Brown is joined on several songs by award-winning fiddler Stephanie Coleman, whose sunny tone brings a welcome lightness to the album.

This album represents Brown’s journey over the last several years as she has found her voice, developed a distinct and compelling style, and emerged as a wonderful musician. The title of the album itself is emblematic of her musical pilgrimage; at first she heard the lyric as “cinnamon tree,” but today Nora knows that the song lyric is “’simmon tree” – a slang shortening of “persimmon.”

These songs were learned by Brown by listening to old recordings in archival collections and by visiting elder musicians in her hometown of Brooklyn, eastern Kentucky, southwestern Virginia, and North Carolina – including master banjo player and former coal miner Lee Sexton and scholar and master banjo player George Gibson.

About Brown, the late John Cohen said, “In her playing, an intense involvement is revealed as the music appears to wash over her. She sings of experiences way beyond her years, old songs from Appalachian sources, stories that reflect a more difficult way of life.”

Cinnamon Tree is available via digital download and on vinyl in a limited first edition of 500 copies, pressed at Third Man Pressing in Detroit, signed and numbered with custom letterpress jackets. The release of the album will be accompanied by a performance at 8:30 pm on Friday, November 8 at the Jalopy Theatre. For tickets and information, go to http://jalopytheatre.org

To learn more about Nora Brown, find her on Facebook and hear her on Bandcamp: https://jalopyrecords.bandcamp.com/album/cinnamon-tree.

Share:

Facebook
Twitter
LinkedIn

One Comment

  1. Really nice reporting Mike. Expect to hear more from Nora; maybe you could set something up in Norfolk along with some other performers like Haystacks.

READ OUR FULL PRINT EDITION

Our Sister Publication

a word from our sponsors!

Latest Media Guide!

Where to find the Star-Revue

Instagram

How many have visited our site?

wordpress hit counter

Social Media

Most Popular

On Key

Related Posts

An ode to the bar at the edge of the world, review by Oscar Fock

It smells like harbor, I thought as I walked out to the end of the pier to which the barge now known as the Waterfront Museum was docked. Unmistakable were they, even for someone like me — maybe particularly for someone like me, who’s always lived far enough from the ocean to never get used to its sensory impressions, but

Quinn on Books: In Search of Lost Time

Review of “Countée Cullen’s Harlem Renaissance,” by Kevin Brown Review by Michael Quinn “Yet do I marvel at this curious thing: / To make a poet black, and bid him sing!” – Countée Cullen, “Yet Do I Marvel” Come Thanksgiving, thoughts naturally turn to family and the communities that shape us. Kevin Brown’s “Countée Cullen’s Harlem Renaissance” is a collection

MUSIC: Wiggly Air, by Kurt Gottschalk

Mothers of reinvention. “It’s never too late to be what you might have been,” according to writer George Eliot, who spoke from experience. Born in the UK in 1819, Mary Ann Evans found her audience using the masculine pen name in order to avoid the scrutiny of the patriarchal literati. Reinvention, of style if not self, is in the air

Film: “Union” documents SI union organizers vs. Amazon, by Dante A. Ciampaglia

Our tech-dominated society is generous with its glimpses of dystopia. But there’s something especially chilling about the captive audience meetings in the documentary Union, which screened at the New York Film Festival and is currently playing at IFC Center. Chronicling the fight of the Amazon Labor Union (ALU), led by Chris Smalls, to organize the Amazon fulfillment warehouse in Staten